《无题》（2013）延续了德格朗尚对重复与瞬间的兴趣：画面中两名身着青绿色衣裙的女性以相似姿态并行行走，背景则在半透明的层次中若隐若现。重复的身体宛如光影的延迟，既具叙事张力，又唤起记忆的模糊回声。德格朗尚通过并置与透叠，使人物与空间的界限溶解，呈现出时间流动的视觉痕迹。叶片状的漂浮元素仿佛在风中轻颤，使静止的画面带有一种微妙的动感。这件作品体现了艺术家对“视觉不确定性”的持续探问：在被叠印的现实中，图像成为时间的倒影，亦成为意识中短暂而闪烁的瞬间。

Untitled (2013) exemplifies Desgrandchamps’s fascination with repetition and temporality. Two female figures, walking in mirrored rhythm, inhabit a translucent landscape that hovers between visibility and erasure. Through layering and transparency, the artist dissolves boundaries between body and space, evoking the texture of memory and the passage of time. Floating leaf-like shapes animate the stillness, introducing a subtle cinematic rhythm. The work embodies Desgrandchamps’s notion of “painting as doubt”—an uncertain space where image, memory, and perception intertwine.